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Evergreen Horror film,Malayalathil mathram alla,indiayile thnanne mikacha horror film,annathe advertisement thanne 'Indiayile first horror comedy film' ennayirunnu.,athinu mumbu indiayile horror filmsil onnum comedies angane illayirunnu.ithu randum chernnappaol akasagana super ayi

 

Enna Pinne Nee Mozhinjaatte Actual Collection. Kavadi Niratheettu Venda.

 

Oppam collection 27Cr poree ! :Millu:

 

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munthanai mudich - sreedaran pillai report

K. Bhagyaraj and Urvasi in Munthane Mudichu: Breaking records
A drumstick is not a particularly exciting vegetable. In fact, it can be quite tasteless unless cooked with the right spices in the right combinations.
All over the south, however, drumstick sales are booming. Why? Because of an on screen romance where a village maid snares a widower schoolteacher into marrying her and then finds that she can't make him take her to bed.


The frustrated wife is in a bind until somebody tells her that drumstick is an aphrodisiac so she feeds her recalcitrant man curries oozing drumsticks at every pore. The husband and wife go to bed, where the man squirms, writhes and wriggles, and the audience roars and roars and roars with laughter. And goes out and buys drumsticks.



The onscreen romance is called Munthane Mudichu. For those who don't think much of either drumsticks or village comedies or frigid schoolteachers, here are some statistics: made by AVM at a cost of Rs 30 lakh, it is expected to net Rs 4 crore, a new southern box-office record.

It is the first film to run for 25 weeks in four Madras theatres and 10 other centres all over the south; the first Tamil film to celebrate its silver jubilee in Trivandrum. Its Hindi remake rights were sold for Rs 5 lakh, the highest ever paid for a remake. In short, Munthane Mudichu is a boisterous, rollicking hit.

Superstar Status: There is only one property hotter than Munthane Mudichu and that is its hero, writer and director, the embarrassed husband struggling in the clutches of his eager wife. K. Bhagyaraj, eyes peering quizzically through spectacles, short and dark, is an unlikely hero and an unlikelier candidate for the golden touch.

No appearance could be more misleading: at 31, a decade after he ran away from home to plough his own furrow in the brawling world of Madras films, and nine films in the can later, Bhagyaraj is the reigning king of Kodambakkam, the Madras film Hollywood.

At a time when the video threat is looming larger than ever, when not even Amitabh Bachchan or Kamalahasan can guarantee box-office success, Bhagyaraj draws offers such as the Rs 30 lakh made by one of the biggest producers in the south; the highest before that was the Rs 15 lakh reportedly paid to N.T. Rama Rao for his Bobili Puli.

At a time when a Rajnikant or a Kamalahasan film is taken by distributors for Rs 40 lakh, Bhagyaraj has sold his forthcoming Dhavani Kanavukal, his first as producer, for an incredible Rs 1.36 crore before he has even finalised the script or chosen the cast.

Bhagyaraj does not command the overpowering presence of a Sivaji Ganesan or the thrilling bombast of a Rajnikant. At 5 ft 5 inches, he has to look up to some of his leading ladies. He is neither handsome nor strikingly ugly. He is, in fact, just like the millions of men who flock to the theatres - a typical south Indian, with typical south Indian chatter, his finger constantly squeezing the funny-bone of his audience.

Rival Kamalahasan says: "Of all the actors working now, Bhagyaraj is the one who has the most instant rapport with the audience." Dasari Narayana Rao, one of the most successful directors in the south, adds: "A lot of people try to tell the truth and make it funny but no one else is so accurate and compassionate as Bhagyaraj. All fall before his humour."

Professional Attitude: In tandem with the creator works an artist with an uncanny knack of knowing exactly what the audience wants, a relentless professional who works out every shot and practical joke of the film looking to the minutiae of entertainment with an eye that never seems to falter.

Says AVM's Saravanan, the producer of Munthane Mudichu: "He took two months to write the script. He had everything planned out to the last-minute costume change." After the film was completed, reminisces Saravanan, Bhagyaraj locked himself with his editor and "with a staple gun and a pair of scissors he stitched all this material together".

Writing, acting, directing, editing; no wonder Bhagyaraj is called a one-man film industry. Producer K. Balaji, who has been asking him for months to make a film for him, says: "Bhagyaraj is a gold-mine. He not only writes his own script but directs and acts in them making it very easy for the producers."

However, the superstar knows how to pace himself. He does only one film at a time, and has only two releases a year. Producers currently waiting to sign him up have been told that the earliest free dates are in 1990.

read ...http://indiatoday.intoday.in/story/...-world-of-madras-film-hollywood/1/360453.html

 

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