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Sultan Music Review: “Welcome back, Vishal-Shekhar!”

Anup Pandey


Music: Vishal-Shekhar



Lyrics: Irshad Kamil



1. Baby Ko Bass Pasand Hai

During one concert I attended, Vishal Dadlani tried Feedback and Bass both in the sound and asked audience what they preferred. Everyone cheered for bass. He said, “I love bass too.”



Wouldn’t be surprising to know if the hookline “Baby Ko Bass Pasand Hai” was suggested by Dadlani and Kamil worked around it (and how!). Kholgade add sultriness in her voice for the innuendo in this catchphrase to effect. Structurally, looks like Vishal-Shekhar tried to join two hooks in the opening. And since it is un-cool these days to do a dance number without a rap, there’s Badshah in it doing his job too.



2. Jag Ghoomeya

The song starts well; its ambience does evoke images of desert and a wanderer in your mind which is what the song is about. It’s derived from and built on Rajasthani folk but, despite of a controlled Rahat Fateh Ali Khan, the track starts sounding templatised after a point.



3. 440 Volt

The huge thing to notice here, again, is how Vishal and Shekhar have made a singer done-to-death for a restricted genre sound so refreshingly controlled and restrained. The guitar pitted on a folksy arrangement is interesting, but, again, the tune gets templatised. Hat-tip to Kamil Saab for quirky “Haryana mere liye Argentina tha.”



4. Sultan

Vishal-Shekhar, sort of, reinvent themselves here. Catchy hooks (particularly “Khoon mein tere mitti”); no standard structure; experimental; high-energy rock; complete live-concert stuff. And of course Sukhwinder is the best choice for such high octane tracks. Shadab Farhidi compliments well.



5. Sachi Muchi

Starts with brass band rendering an effervescent tune; enters into country music; transcends into anthemic pop track. Reminiscent of Vishal Shekhar’s own ‘Uff!’ from Bang Bang, it does have their trademark over it. Always a delight to listen to Harshdeep Kaur. Mohit is suitable choice for this one.



6. Bulleya

A sufi done Bollywood style instantly robs it off of all the depth. But Papon does his best to lend enough gravitas to it. The slightly digressive harmonium at the start is what intrigues me into this song.



7. Tuk Tuk

Before the song reveals its real character, its energy, halfway into its length, it follows a meditative approach. It starts with a fading echo of a verse, birds chirping, eventually grows into dhols, techno and rap (by Vishal Dadlani; he raps here after Udta Punjab and is equally killer).



8. Jag Ghoomeya (Female)

The highlight of the song is Neha Bhasin’s soothing voice. Minimal on arrangement (mainly strings) but is more evocative than the male version.



9. Rise of Sultan

The dust that fell off from the rock show of title track starts rising here… into a superbly rousing chorus of the hook “Khoon Mein Tere Mitti”, dhols and violins.

Nine tracks for a Salman Khan film of which more than half works very well. But the soundtrack achieves more than just that. Vishal-Shekhar are in fine form after a long time.



Ratings: 3.5/5

 

Enjoy listening to all Sultan songs now on @Saavn -

 

The movie 'Sultan' has become the much awaited and talked about movie so far and Salman Khan and Anushka Sharma's new song 'Baby Ko Bass Pasand Hai' has been hitting the charts all over. After hitting on the right notes for fan and viewers the makers of 'Sultan' unveiled a special version of the same song. But this time with a twist, it has been sung by actor Salman Khan himself and something which is cherry on the cake is rumoured girlfriend Iulia Vantur who has also voiced for it.

The new version of the song titled 'Baby Nu Bass Pasand Hai' seems to be loved by fans worldwide. This is not the first time that, actor Salman is singing a song he has given his voice for quite a number of movies. But if you hear this song, Salman and Iulia seem to be having fun throughout.

Movie 'Sultan' also features Anushka Sharma, Randeep Hooda, Amit Sadh and Tyron Woodley in the lead. It will hit theatres this year on Eid.